ENG 251:
World Literature I
top | cultural discourse | cultural terms genre | rhetoric

Cultural Discourse

discourse:
General term for spoken or written communication. More specifically, discourse can be thought of as the cultural conversation about a topic within a discourse community.
discourse community:
A group of individuals that shares a common understanding based on systematic principles of communication and/or vocabulary within a specific discursive situation. Discourse communities have traditionally been based on geography and a common language, such as English or French, but discourse communities can also be more specific groups who share certain experiences and specialized vocabulary specific to their activities: e.g., video game players, members of a class in school, soldiers in the armed forces, etc.
dominant discourse:
The prevailing view about a certain topic within a discourse community.
competing discourse:
Discursive situation where there is no dominant view and two or more opinions/ideas about a topic compete for dominance.
subversive discourse:
Type of discourse that represents a non-dominant position on a topic in a discourse community. A subversive discourse actively works to destabilize the dominant discourse.
unconventional discourse:
Type of discourse that is set apart from the dominant discourse in a discourse community. Unconventional discourse may interact very little with the dominant discourse and may represent a discourse community that is a subset of the dominant culture.
prestige language
in a culture where more than one language is spoken, the language of power or the group in power.
vernacular language
in a culture where more than one language is spoken, the language of the common people; generally considered by prestige speakers as inferior or incorrect.

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Cultural Terms: Ancient India

Brahmanas
The highest caste in the Hindu caste system. Brahmans are priests.
Ksatriyas
The second caste in the Hindu caste system. Ksatriyas are warriors.
Vaisyas
The third caste in the Hindu caste system. Vaisyas are traders.
Sudras
The lowest csst in the original Hindu caste system; after the 4th century BCE, it becomes the fourth caste. Sudras are servants.
Untouchables
The lowest cast in the Hindu caste system. This caste was added in the 4th century BCE after Alexander the Great established a colony of Greeks in the Indian subcontinent. Foreigners were automatically classified as "untouchables." Members of this caste can be employed at tasks that are considered impure.
godhead
"god beyond god" is the absolute undifferentiated original matter of the universe, and it divides itself into everything else that exists (625 in our textbook)
atman
the soul. In the Hindu tradition, the soul is a part that has broken off from the godhead. The atman is indestructable and the goal of the atman is to rejoing the godhead. If a person does not achieve this joining in one lifetime, they rejoin the living world in a different physical form and continue the process of purification. This process of continual rebirth until returning to the godhead is known as reincarnation

Cultural Terms: Middle Ages (European)

scop
oral performer in the middle ages and Renaissance who sang and told stories.
courtly romance
narrative genre from the middle ages that depicts a romanticized past (8th-11th century) in the age of knights and ladies in Europe and England. Courtly romances promote the chivalric code for defining appropriate behavior, particularly for men in the prestige class.
chivalric code
behavioral norms for men in the prestige class in Europe and England in the 8th to 11th centuries. Values include honesty, sacrifice, obedience to the king/authority, respect for women [**], and maintaining a good reputation through brave deeds and completing quests. In later written versions of the original oral stories, Christianity is added as an additional cultural norm. The traits of masculinity defined by the chivalric code assume traits of proper femininity as well: women were expected to be chaste until marriage, demure, obedient to men, and to conform to standards of dress and beauty.

Genre Traits of Heroic Epics

Allusion
Reference in a literary text to another narrative or historical event. The reference may be as brief as a name of a character or as legthy as a summary of plot points of the narrative being referred to. Allusion is one method of connecting multiple texts as part of a literary tradition. In the Odyssey for example, Book 11 (journey to the underworld) references Sisyphus and Tantalus (from whom we get the word tantalize).
Epic Hero
character who exhibits characteristics that reinforce dominant cultural discourse about what is good or valuable, who engages in actions that promote social good, and often completes quests or challenges that promote the hero's reputation or have consequences for a broader social group.
Epithet
formulaic phrases used to describe characters that are repeated throughout a text -- particularly used in oral-formulaic epic texts (that is, epic texts that began as oral compositions).
Extended figurative comparisons
metaphor or simile where the vehicle (figurative comparison) extends for multiple lines of extended, detailed description before a turn (often translated in English as "so" or "thus") to the tenor (literal reference). These extended figurative comparisons often rely on imagery that would have been familiar to the original discourse community.
Invocation of the Muse
calling on the authority of the muse for inspiration at the beginning of an ancient epic. There were 9 muses in Greek mythology. Calliope is the muse of epic poetry.
In medias res
Latin for "in the middle." This phrase describes the narrative structure characteristic of (but not exclusive to) the ancient epic of beginning the story in the middle. This structure works because the original audience would have been very familiar with the story. In the Odyssey, for example, the text begins when Odysseus is trapped on Calypso's island, approximately nine years into his 10 year journey home.

Genre Traits of Episodic Epics

apotheosis
the transformation of a mortal or object to a god. Sometimes this transformation means the continued existence of the person in a divine realm; in other cases the person/object is "written in the stars" -- i.e. becomes a constellation.
taboo
prohibited or restricted social custom
frame narrative:
A literary technique where one narrative is nested within another. The frame narrative is often provides the occasion for telling the nested narrative and is frequently connected thematically to the inner story.

Genres

lai (plural: lais)
short lyric poem often written in rhyming couplets. Extant examples of this form are often romances.

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Rhetoric

rhetoric:
art of persuasion, and the ability to choose the most appropriate argument to suit the audience and situation.
logos:
logical component of an argument.
ethos:
credibility of the speaker/writer of an argument and the strategies used to cultivate credibility.
pathos:
emotional appeals in an argument and the strategies used to target a specific audience.
kairos:
the occasion for an argument, including time, place, and other contextual details