Reading and analysis several plays selected from histories, comedies, and tragedies. Focus is primarily on textual analysis, and covers sources, dramatic history, and criticism of plays studied. Overview of the development of drama from the medieval to renaissance periods. Students will write several essays, including one involving interpretation.
William Shakespeare occupies an unparalleled position in English literary studies and has become “the world’s poet,” an author whose works have been read, adapted, appropriated, and performed in nearly every corner of the globe. On a more local level, this is the only single-author course required for English and Theater majors at Siena Heights University. Have you ever wondered why?
This course aims to give readers of Shakespeare a fresh perspective on Shakespeare, as a figure in English-language literary and theatrical history, and on his body of works. We will read a selection of 6 plays and an assortment of sonnets, and consider Shakespeare as a playwright, a poet, and a product of his culture and ours. We will read intertextually, seeing texts in dialogue with other texts, and comparatively, using the lens of genre to approach.
We will familiarize ourselves with a variety of critical approaches to Shakespeare and numerous ways the plays have been discussed and dissected over time. We will also read excerpts from a variety of texts written by Shakespeare’s contemporaries to gain some context and provide a point of comparison for Shakespeare’s works. Finally, we will consider the afterlives of the plays, focusing on how they have been adapted globally for the stage, screen, and beyond.
This course aligns with the learning outcomes for the English major and minor at SHU listed below.
By the end of the semester, students should be able to:
McDonald, Russ, editor. The Bedford Companion to Shakespeare. 2nd ed., Bedford/McMillian, 2001.
Shakespeare, William. Hamlet. Washington Square Press/Simon and Schuster, 2012. [ISBN 9781451669411]
---. Measure for Measure. Washington Square Press/Simon and Schuster, 2020. [ISBN 9781982157418]
---. Othello. Washington Square Press/Simon and Schuster, 2017. [ISBN 9781501146299]
---. Richard III. Washington Square Press/Simon and Schuster, 2018. [ISBN 9781476786926]
---. The Merchant of Venice. Washington Square Press/Simon and Schuster, 2010. [ISBN 9781439191163]
---. The Tempest. Washington Square Press/Simon and Schuster, 2015. [ISBN 9781501130014]
*Note: I have chosen Folger Shakespeare Library editions of the plays because they provide comprehensive explanatory notes and they are affordable. You may use other editions of the Shakespeare plays we are reading if you wish, but be aware that there may be differences in your text based on the version of the play used as a basis for that edition. See the background notes for each play for more information. ISBN numbers are provided for your convenience in the event you choose to purchase texts from a different vendor than the University bookstore but wish to purchase the class text.
Online readings are available in Canvas. See the course schedule for more information.
Habib. "Othello, Sir Peter Negro, and the Blacks of Early Modern England: Colonial Inscription and Postcolonial Excavation." LIT Literature Interpretation Theory v. 9 issue 1, 1998, p. 15-30.
Kaplan, M. Lindsay. The Merchant of Venice: Texts and Contexts. Boston: Bedford St. Martin's, 2002.
---. "Jews in England." 248-249.
Foxe, John. from Acts and Monuments. 251-5.
Usque, Samuel. from Consolation for the Tribulations of Israel. 288-92.
Kennedy, Maev. "Richard III: DNA Confirms Twisted Bones Belong to King." The Guardian, 4 Feb. 2013. www.theguardian.com, https://www.theguardian.com/science/2013/feb/04/richard-iii-dna-bones-king.
Richards, Jeffrey. "The Riddle of Richard III." History Today 33.8 (Aug. 1983): 18-25. Print.
Shakespeare, William. from Sonnets. Complete Works of Shakespeare. 4th ed. Ed. David Bevington. New York: Longman, 1997. 1660-1696. Print.
Shakespeare, William. Measure for Measure. Edited by Ivo Kamps and Karen Raber, Bedford/McMillian, 2004.
from "A Caveat for Common Cursitors." 282-286.
James I. "True Law of Free Monarchies." 148-154.
Kamps and Raber. "Marriage, Sex, and Society." 181-185.
---. "Prostitution, Pox, and Plague." 257-259
Machiavelli. The Prince. 160, 162-163.
from "The Nun's Rule." 241-243.
Slater, Michael. "Desdemona’s Divided Duty: Gender and Courtesy in Othello." Travel and Travail : Early Modern Women, English Drama, and the Wider World, edited by Patricia Akhimie et al., University of Nebraska Press, 2019, pp. 215–35.
Smith, Ian. "Othello's Black Hankerchief." Shakespeare Quarterly v. 60 issue 1, 2013, p. 1-25.
Excerpts from the following films will be viewed in class.
Hamlet. Directed by Michael Almereyda, double A Films, Polyphony Digital, 2000.
---. Directed by Kenneth Branagh, Castle Rock Entertainment, Turner Pictures (I), Fishmonger Films, 1996.
Othello. Directed by Oliver Parker, Castle Rock Entertainment, Dakota Films, Imminent Film Productions, 1996.
Richard III. Directed by Richard Loncraine, Mayfair Entertainment International, British Screen Productions, Bayly/Paré Productions, 1995.
The Merchant of Venice. Directed by Michael Radford, Movision, Avenue Pictures, UK Film Council, 2005.
The Tempest. Directed by Julie Taymor, Touchstone Pictures, Miramax, TalkStory Productions, 2011.
You will be assessed on assignments on a 400 point scale as indicated below. Assignment descriptions can be found on this page.
assignment | percentage | points |
---|---|---|
participation* | 5% | 20 pts |
student led activity** | 2.5% | 10 pts |
in-class exercise #1-12 | 30% | 12 x 10 pts each = 120 pts |
quiz #1-10 | 25% | 10 x 10 pts each = 100 pts |
DE#1: Hamlet in Memes | 2.5% | 10 pts |
DE#2: Connecting Past to Present | 5% | 20 pts |
DE#3: Adaptation of Measure for Measure | 5% | 20 pts |
DE#4: RIII Timeline | 2.5% | 10 pts |
DE#5: Critical Analysis Infographic | 3.5% | 14 pts |
DE#6: Visual Experimentation | 5% | 20 pts |
workshop #1-3 | 3.75% | 3 x 5 pts each = 15 |
Portfolio Review | 1.25% | 5 pts |
Digital Portfolio Project | 9% | 36 pts |
Total: | 100% | 400 pts |
*Participation includes attendance, preparedness to discuss reading assignments, class discussion exercises, and oral presentations assigned at the discretion of the instructor. By attending each class, students earn half of the participation points for the course. The remaining points are based on students' in-class contributions.
**Once during the term, each student will lead a student directed activity. Please see the Assignments for more information.
Letter Grade | Percentages |
---|---|
A | 94-100 |
A- | 90-93 |
B+ | 87-89 |
B | 83-86 |
B- | 80-82 |
C+ | 77-79 |
C | 73-76 |
C- | 70-72 |
D+ | 67-69 |
D | 63-66 |
D- | 60-62 |
F | 0-59 |
Grades on late assignments will be dropped 5% for each calendar day late and will not be accepted more than 7 days late. If you are having trouble with an assignment, you should make an appointment with me for assistance and to discuss the possibility of a (no-penalty) extension before the paper is due. Late final projects cannot be accepted because of the registrar's final grade deadline.
It is assumed that all work submitted is the student's own work. If you expect that you may have difficulty meeting these standards, please contact the instructor to arrange for additional assistance. Please be aware that Siena Heights’ instructors have access to turnitin.com which is used to detect plagiarism.
Note for ENG 445: In this class, there are some assignments where the use of AI is encouraged or even required. On such assignments, the use of AI will be explicitly described. When AI is not expressly mentioned in an assignment description, you should assume that you should NOT be using AI for the assignment. Be sure to ask first if you have any questions.
In this course, you should not refer to summary or interpretation websites (like SparkNotes or Cliff Notes) to "get ideas." One of the objectives for this course is to learn and practice your own critical reading and analysis skills; you will not achieve this goal by using such sources as a substitute for your own thoughts. Using internet sources as your own work or AI outside of any expressly described application will result in a zero for the assignment and may result in an F for the course.
Faculty members who suspect a student of academic dishonesty may settle the case directly with the student. In cases where guilt is substantial or admitted, the instructor may penalize the student in any way deemed appropriate, including the failure of the course.
When a student is penalized, the faculty member must report the incident in writing to his/her department chair. A copy of the report will be sent to the Academic Dean.
If the Academic Dean receives more than one report of academic dishonesty about a specific student, the Dean will review the reports, and in cases of serious offenses, could take steps to suspend the student from the university.
You are responsible for familiarizing yourself with the Siena Heights University Academic Dishonesty Policy in the Academic Catalog. You can find the catalog online on the Siena Heights University website. Students are not excused from adherence to the policy even if they have not read it.
Any appeal by a student must be made in writing to the instructor within ten (10) university working days from the time the student is notified that a penalty has been levied against him/her. If the appeal is denied, the student may submit a written petition to the department chair with his/ her concerns. The department chair should then consult with the faculty member involved before rendering a decision. If the student wishes, he/she may make a final appeal to the Academic Dean.
For English classes, the Department Chair is Professor Karin Barbee and the Assistant Dean is Dr. Julie Barst.
Section 504 of the Rehabilitation Act of 1973 (Section 504), prohibits discrimination on the basis of physical or mental disability (29 U.S.C. Section 794). Siena Heights University values diversity and inclusion; we are committed to a climate of mutual respect and full participation. Our goal is to create learning environments that are usable, equitable and inclusive. If there are aspects of the instruction or design of this course that result in barriers to your inclusion or accurate assessment, please notify the instructor as soon as possible.
Students with disabilities should contact the Office of Accessibility (517) 264-7683, or accessibility@sienaheights.edu, to discuss a range of options for removing barriers in the course, including accommodations. This process is initiated and driven by you, the student. It is to your advantage to begin the process in a timely manner, prior to the start of courses, since accommodations are not retroactive. Grades earned before verification of a disability and approval of accommodations by the Office of Accessibility will not be changed.
Once appropriate accommodations/services have been determined, the student presents a Letter of Accommodation (provided after consultation with the coordinator of the ODR) to his/her course teaching staff and discusses a plan for implementing the accommodation/service.
Any student who faces challenges securing their food or housing and believes this may affect their performance in the course is urged to contact the Office of Accessibility (accessibility@sienaheights.edu) and/or the Dean of Students (morlando@sienaheights.edu) for support. Furthermore, please notify the professor if you are comfortable in doing so. This will enable her to provide any resources that she may possess.
Please be respectful of others' learning and avoid disruptive behavior. Turn off cell phone ringers and all other distracting portable electronic devices/sounds before class. You should not be engaged in on-line activities such as texting or social media during class time. If you feel these activities are more important than classroom learning, please leave the room to conduct your online communications and return when you are able to focus on and participate in our classroom discussion.
As a class, we all need to give each other our attention and courtesy. Disagreements with others, including with me, will undoubtedly occur. In fact, I encourage expression of differing perspectives. However, conflicting points of view must be communicated respectfully. Bias, discrimination, and harassment in all forms will not be tolerated in this class.
You are expected to check your SHU email and Canvas every day. The syllabus, schedule, and all course material, assignments, rubrics, grades, and additional resources are accessible on Canvas. Any announcements that impact the whole class will be made via Canvas. If I have to reach you individually, I will use email. Not being aware of relevant class information because of failure to check email or Canvas is unacceptable and will negatively impact your grade.
Class participation is vital in this course; in-class work is a necessary supplement to the reading and writing you will do outside of class, and the contributions of each individual in class are important to everyone's learning. Therefore, attendance is part of your grade. In the event of illness or emergency, please contact the instructor (before class if possible) to obtain an excused absence. Unexcused absences during the term will affect your course grade. You are responsible for the information discussed in class when you are absent. In-class assignments/quizzes may not be made up for credit if your absence is unexcused.
In accordance with federal policy, SHU defines a credit hour as the amount of work represented in the achievement of student learning outcomes (verified by evidence of student achievement) that reasonably approximates one hour (50 minutes) of classroom instruction and a minimum of two hours of out-of-class student work. For every course credit hour, a typical student should expect to spend at least three hours per week of concentrated attention on course-related work including, but not limited to, class meeting time, reading, reviewing, organizing notes, studying, and completing assignments. At least an equivalent amount of time is expected for other academic activities such as online courses, laboratory work, internships, practica, studio work and other academic work leading to the award of credit hours.
The Siena Heights University Writing Center is part of the Learning Resource Center. It offers services both in person and remotely to ensure accessibility for all students. The Writing Center provides free, one-to-one writing support to all SHU students, regardless of academic discipline or background. Peer writing consultants will work with students at any stage of the writing process, from brainstorming to revisions. To learn more about their services or what to expect from a session, browse online writing resources, or make an appointment, visit The Writing Center Website.
Title IX makes it clear that violence and harassment based on sex and gender is a Civil Rights offense subject to the same kinds of accountability and the same kinds of support applied to offenses against other protected categories such as race, national origin, etc. If you or someone you know has been harassed or assaulted for any reason, you can find the appropriate resources here:
You can access the Academic Calendar here for important term dates.