Survey of major literary and linguistic movements in the British Isles from the Anglo-Saxon period through the eighteenth century. May focus on historical, social, religious, and cultural contexts of literary production. «top
This course surveys literature written in England from the early Middle Ages through the eighteenth century. Because the class focuses on the relationship between literary texts and history, the readings are organized for the most part chronologically. Although our readings will come from the Broadview Anthology, we will also think about the lives of these texts outside of our classroom, through learning about earlier modes of textual production, circulation, and consumption. To this end, we will consider manuscript, printed, and digitized versions of texts covered in our course. As we inquire into what certain literary works do and have done in the world, we will also address the question of what those works are. Over the course of the semester, you should learn to recognize characteristics of particular authors, genres, and historical/literary periods. As part of this process, we will hone our close reading skills and spend a considerable amount of time studying literary forms.
Note on reading: We’re covering a broad span of time in this course (roughly 1,000 years), so the selected readings represent only a sliver of what’s out there. All of our readings are in English, but they may appear in an unfamiliar form of the language. Be patient, take notes/annotate your texts, leave yourself plenty of time, make use of the glossaries, and don’t hesitate to ask questions. «top
This course aligns with the learning outcomes for the English major and minor at SHU listed below.
By the end of the semester, students should be able to:
Black, Joseph, et al., editors. The Broadview Anthology of British Literature: Concise Volume A. 3rd edition, Broadview Press, 2016.
ISBN: 978-1554813124*
*ISBN number is provided for your convenience in the event you choose to purchase texts from a different vendor than the University bookstore; you can use the ISBN number to ensure you are purchasing the correct text.
Online readings are available in Canvas. See the course schedule for more information.
Baum, Rob. “Aphra Behn’s Black Body: Sex, Lies and Narrativity in Oroonoko.” Brno Studies in English, vol. 37, no. 2, Oct. 2011, pp. 7–29. DOI.org (Crossref), https://doi.org/10.5817/BSE2011-2-2.
Behn, Aphra. Oroonoko. Edited by Catherine Gallagher, Bedford/St. Martin’s, 2000.
Deb, Basuli. “Transnational Complications: Reimagining Oroonoko and Women’s Collective Politics in the Empire.” Frontiers: A Journal of Women Studies, vol. 36, no. 1, 2015, p. 33. DOI.org (Crossref), https://doi.org/10.5250/fronjwomestud.36.1.0033.
Mitsein, Rebekah. “Trans-Saharan Worlds and World Views in Aphra Behn’s Oroonoko.” Eighteenth-Century Fiction, vol. 30, no. 3, Mar. 2018, pp. 339–68. DOI.org (Crossref), https://doi.org/10.3138/ecf.30.3.339.
Morrissey, Lee. “Transplanting English Plantations in Aphra Behn’s Oroonoko.” The Global South, vol. 10, no. 2, 2016, p. 11. DOI.org (Crossref), https://doi.org/10.2979/globalsouth.10.2.02.
Pacheco, Anita. “‘Little Religion’ but ‘Admirable Morals’: Christianity and Honor in Aphra Behn’s Oroonoko.” Modern Philology, vol. 111, no. 2, Nov. 2013, pp. 253–80. DOI.org (Crossref), https://doi.org/10.1086/673098.
Richards, Cynthia. “Interrogating Oroonoko : Torture in a New World and a New Fiction of Power.” Eighteenth-Century Fiction, vol. 25, no. 4, July 2013, pp. 647–76. DOI.org (Crossref), https://doi.org/10.3138/ecf.25.4.647.
Rogers, Katharine M. “Fact and Fiction in Aphra Behn’s ‘Oroonoko.’” Studies in the Novel, vol. 20, no. 1, 1988, pp. 1–15. JSTOR.
You will be assessed on assignments on a 400 point scale as indicated below. Assignment descriptions can be found on this page.
| assignment | percentage | points |
|---|---|---|
| participation* | 7.5% | 30 pts |
| student directed discussion** | 2.75% | 11 pts |
| in-class exercises #1-10 | 25% | 10 x 10 pts each = 100 pts |
| quiz #1-8 | 20% | 8 x 10 pts each = 80 pts |
| language study exercise | 5% | 20 pts |
| poetry presentation | 2.5% | 10 pts |
| short essay #1-3 | 15% | 3 x 20 pts each = 60 |
| workshop #1-3 | 11.25% | 3 x 15 pts each = 45 |
| final project | 11% | 44 pts |
| Total: | 100% | 400 pts |
*Participation includes attendance, preparedness to discuss reading assignments, class discussion exercises, and oral presentations assigned at the discretion of the instructor. By attending each class, students earn half of the participation points for the course. The remaining points are based on students' in-class contributions.
**Once during the term, each student will lead a student directed discussion. During this class, students will come prepared with questions to start discussion, and we will analyze both the texts and how to generate productive discussions of literature.
| Letter Grade | Percentages |
|---|---|
| A | 94-100 |
| A- | 90-93 |
| B+ | 87-89 |
| B | 83-86 |
| B- | 80-82 |
| C+ | 77-79 |
| C | 73-76 |
| C- | 70-72 |
| D+ | 67-69 |
| D | 63-66 |
| D- | 60-62 |
| F | 0-59 |
Grades on late assignments will be dropped 5% for each calendar day late and will not be accepted more than 7 days late. If you are having trouble with an assignment, you should make an appointment with me for assistance and to discuss the possibility of a (no-penalty) extension before the paper is due. Late final projects cannot be accepted because of the registrar's final grade deadline.
It is assumed that all work submitted is the student's own work. If you expect that you may have difficulty meeting these standards, please contact the instructor to arrange for additional assistance. Please be aware that Siena Heights’ instructors have access to turnitin.com which is used to detect plagiarism.
In this course, you should not refer to summary or interpretation websites (like SparkNotes or Cliff Notes) to "get ideas." One of the objectives for this course is to learn and practice your own critical reading and analysis skills; you will not achieve this goal by using such sources as a substitute for your own thoughts. Using internet sources as your own work or AI to generate assignment responses will result in a zero for the assignment and may result in an F for the course.
Faculty members who suspect a student of academic dishonesty may settle the case directly with the student. In cases where guilt is substantial or admitted, the instructor may penalize the student in any way deemed appropriate, including the failure of the course.
When a student is penalized, the faculty member must report the incident in writing to his/her department chair. A copy of the report will be sent to the Academic Dean.
If the Academic Dean receives more than one report of academic dishonesty about a specific student, the Dean will review the reports, and in cases of serious offenses, could take steps to suspend the student from the university.
You are responsible for familiarizing yourself with the Siena Heights University Academic Dishonesty Policy in the Academic Catalog. You can find the catalog online on the Siena Heights University website. Students are not excused from adherence to the policy even if they have not read it.
Any appeal by a student must be made in writing to the instructor within ten (10) university working days from the time the student is notified that a penalty has been levied against him/her. If the appeal is denied, the student may submit a written petition to the department chair with his/ her concerns. The department chair should then consult with the faculty member involved before rendering a decision. If the student wishes, he/she may make a final appeal to the Academic Dean.
For English classes, the Department Chair is Professor Karin Barbee and the Assistant Dean is Dr. Julie Barst.
Section 504 of the Rehabilitation Act of 1973 (Section 504), prohibits discrimination on the basis of physical or mental disability (29 U.S.C. Section 794). Siena Heights University values diversity and inclusion; we are committed to a climate of mutual respect and full participation. Our goal is to create learning environments that are usable, equitable and inclusive. If there are aspects of the instruction or design of this course that result in barriers to your inclusion or accurate assessment, please notify the instructor as soon as possible.
Students with disabilities should contact the Office of Accessibility (517) 264-7683, or accessibility@sienaheights.edu, to discuss a range of options for removing barriers in the course, including accommodations. This process is initiated and driven by you, the student. It is to your advantage to begin the process in a timely manner, prior to the start of courses, since accommodations are not retroactive. Grades earned before verification of a disability and approval of accommodations by the Office of Accessibility will not be changed.
Once appropriate accommodations/services have been determined, the student presents a Letter of Accommodation (provided after consultation with the coordinator of the ODR) to his/her course teaching staff and discusses a plan for implementing the accommodation/service.
Any student who faces challenges securing their food or housing and believes this may affect their performance in the course is urged to contact the Office of Accessibility (cmathis1@sienaheights.edu) and/or the Dean of Students (morlando@sienaheights.edu) for support. Furthermore, please notify the professor if you are comfortable in doing so. This will enable her to provide any resources that she may possess.
Please be respectful of others' learning and avoid disruptive behavior. Turn off cell phone ringers and all other distracting portable electronic devices/sounds before class. You should not be engaged in on-line activities such as texting or social media during class time. If you feel these activities are more important than classroom learning, please leave the room to conduct your online communications and return when you are able to focus on and participate in our classroom discussion.
As a class, we all need to give each other our attention and courtesy. Disagreements with others, including with me, will undoubtedly occur. In fact, I encourage expression of differing perspectives. However, conflicting points of view must be communicated respectfully. Bias, discrimination, and harassment in all forms will not be tolerated in this class.
You are expected to check your SHU email and Canvas every day. The syllabus, schedule, and all course material, assignments, rubrics, grades, and additional resources are accessible on Canvas. Any announcements that impact the whole class will be made via Canvas. If I have to reach you individually, I will use email. Not being aware of relevant class information because of failure to check email or Canvas is unacceptable and will negatively impact your grade.
Class participation is vital in this course; in-class work is a necessary supplement to the reading and writing you will do outside of class, and the contributions of each individual in class are important to everyone's learning. Therefore, attendance is part of your grade. In the event of illness or emergency, please contact the instructor (before class if possible) to obtain an excused absence. Unexcused absences during the term will affect your course grade. You are responsible for the information discussed in class when you are absent. In-class assignments/quizzes may not be made up for credit if your absence is unexcused.
In accordance with federal policy, SHU defines a credit hour as the amount of work represented in the achievement of student learning outcomes (verified by evidence of student achievement) that reasonably approximates one hour (50 minutes) of classroom instruction and a minimum of two hours of out-of-class student work. For every course credit hour, a typical student should expect to spend at least three hours per week of concentrated attention on course-related work including, but not limited to, class meeting time, reading, reviewing, organizing notes, studying, and completing assignments. At least an equivalent amount of time is expected for other academic activities such as online courses, laboratory work, internships, practica, studio work and other academic work leading to the award of credit hours.
The Siena Heights University Writing Center is part of the Learning Resource Center. It offers services both in person and remotely to ensure accessibility for all students. The Writing Center provides free, one-to-one writing support to all SHU students, regardless of academic discipline or background. Peer writing consultants will work with students at any stage of the writing process, from brainstorming to revisions. To learn more about their services or what to expect from a session, browse online writing resources, or make an appointment, visit The Writing Center Website.
Title IX makes it clear that violence and harassment based on sex and gender is a Civil Rights offense subject to the same kinds of accountability and the same kinds of support applied to offenses against other protected categories such as race, national origin, etc. If you or someone you know has been harassed or assaulted for any reason, you can find the appropriate resources here:
You can access the Academic Calendar here for important term dates.
At the successful completion of this course, teacher candidates will be able to demonstrate proficiency in the following standards:
Well-prepared beginning teachers of English language arts will be able to:
a. Facilitate learners’ access to a range of age appropriate contemporary and classical digital and print materials of a variety of genres (e.g., informative/explanatory texts, narrative texts, signage including environmental print, poetry) and media (e.g., books, magazines, digital texts, audio text, speech-to-text technologies) for both in and out of school literacy.
Well-prepared beginning teachers of English language arts will be able to:
e. Select instructional materials—classic and contemporary, print and non-print texts, including young adult—that represent a range of world literatures, cultural and historical traditions, genres, and the experiences of a range of genders, ethnicities, and social classes.
Well-prepared beginning teachers of English language arts will be able to:
d. Select diverse texts and materials of varying complexity that align with instructional purposes (e.g., independent practice; study of author’s craft, structure, and purpose, including argumentative writing; expand cultural perspectives; integrate knowledge and ideas).
Well-prepared beginning teachers of English language arts will be able to:
l. Provide opportunities for students to engage in critical dialogue around the power and rhetorical use of language across contexts (e.g., use of first person in writing, oral traditions, language variation, figurative language).
Well-prepared beginning teachers of English language arts will be able to:
b. Select and analyze texts and text sets that represent multiple points of view and contexts.
e. Create opportunities for students to engage in literary analysis of author's craft and devices, including, but not limited to, symbolism, figurative language, characterization, dialogue, setting, plot development, theme, and rhetorical moves.
f. Create opportunities for students to engage in genre analysis that includes naming, describing, and modeling the conventions, strategies, and patterns of thinking that are typical of different genres (e.g., literary analysis, creative nonfiction, journalism, poetry, book reviews, technical documents).
Well-prepared beginning teachers of English language arts will be able to:
d. Provide access to and regular opportunities to work with a wide range of texts of varying complexity, structure, genres, represented identities, authorship, and modes.
h. Model and make visible to students the habits of a lifelong reader and writer (e.g., think-alouds, writing and reading with students, author visits, annotations, comprehension strategies, conferring, community readers/writers, peer reading programs, participation in reading events and networks).
Well-prepared beginning teachers of English language arts will demonstrate:
Well-prepared beginning teachers of English language arts will be able to:
h. Employ critical literacy practices to critique the social narratives that are embedded in classic and contemporary literature in order to read with and against the text.
i. Prepare rationales for selection and use of literature and other texts to present to students, parents, and other stakeholders and to respond to potential challenges.
k. Select and use a range of literature relevant for secondary students in ELA classrooms and appropriate for different developmental levels and student needs, including multicultural/world literature, literature by authors of all genders, and literature for young adults.
Well-prepared beginning teachers of English language arts will seek to:
h. Connect teaching and learning to social, political, and cultural contexts in ways that support students’ growth of critical consciousness.
At the successful completion of this course, teacher candidates will be able to demonstrate proficiency in the following standards:
Well-prepared beginning teachers of students in grades 5-9 & 7-12 will:
p. Engage learners in using metacognitive strategies to reflect on their own learning and self-regulation, including self-assessment, self-reflection, feedback from others, and goal setting (e.g., aligning with IEPs, 504 Plans, Personal Curricula, or other official goal documents) as part of the assessment process.
Well-prepared beginning teachers of students in grades 5-9 & 7-12 will:
b. Use reflective practices to design, monitor, and adapt instruction as a means for gauging professional growth.
In this course, teacher candidates will have the opportunity to practice the following: